Minggu, 30 Mei 2010

[Z106.Ebook] Free Ebook The Overloaded Ark, by Gerald Malcolm Durrell

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The Overloaded Ark, by Gerald Malcolm Durrell

The Overloaded Ark, by Gerald Malcolm Durrell



The Overloaded Ark, by Gerald Malcolm Durrell

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The Overloaded Ark, by Gerald Malcolm Durrell

Gerald Durrell, director and owner of Jersey Zoo, was internationally famous for his amusing books about collecting wild animals, in particular My Family and Other Animals. But The Overloaded Ark, his first, remains his funniest book. It describes an expedition to the remote territory of the Cameroons in West Africa, before independence. "A delightful book...You can feel his bush-shirt sticking to his back...Bagging a monitor, smoking out a Pangolin (scaly anteater), celebrating the capture of the rare Angwantibo (small lemur), bird liming for Giant Kingfishers on the warm, milky waters of Lake Soden: he communicates every detail of his experiences with just the right degree of zest." (New Statesman).

  • Sales Rank: #1082985 in Books
  • Brand: Brand: Faber n Faber
  • Published on: 1987-04
  • Original language: English
  • Number of items: 1
  • Dimensions: .54" h x 5.00" w x 7.76" l,
  • Binding: Paperback
  • 238 pages
Features
  • Used Book in Good Condition

About the Author
Gerald Durrell was a world-famous naturalist, animal-collector and conservationist. Born in India in 1925, and having lived in Jamshedpur, Corfu and Crystal Palace, he eventually founded Jersey Zoo in 1959. He was a lifelong lover of animals, and after taking numerous trips to collect exotic wildlife for the zoo, he founded the Jersey Wildlife Conversation Trust in 1963. He also wrote numerous well-loved books about his glamorous and not-so glamorous experiences, his most famous works being My Family and other Animals and The Overloaded Ark.

From AudioFile
This account of Gerald Durrell's 1953 trip to the Cameroons to collect live reptiles, birds and mammals for British zoos is filled with hair-raising and hysterical adventures. It was the first professional collecting trip to the region and was also Durrell's first visit to Africa. Nigel Davenport captures all of Durrell's enthusiasm and na�vet�--as well as the pain of being stung by wasps and the fear that results from almost falling on top of a very large monitor lizard. Davenport also renders pidgin (the lingua franca of European-African communication) both credible and comprehensible. The reading is so persuasive that the listener becomes a member of the expedition. Leopards, anyone? R.E.K. (c) AudioFile, Portland, Maine

Most helpful customer reviews

15 of 15 people found the following review helpful.
Where da beef? In this book, that's where
By Samuel Krikorian
Gerald Durrell spent most of his life collecting interesting animal specimens and Durrell is an interesting human specimen himself. His well chronicled life (mostly chronicled by Durrell) begins with the hilarious, and very succesfull, "My family and Other Animals". It is ably followed up with the equally hilarious "Birds, Beasts and Relatives". Both books are full of tales from the Durrell family's years on the Greek Island of Corfu, pre WWII. Little Gerry dives right into the flora and fauna of the island, including its human fauna. I own very few nonfiction books with such a plethora of memorable characters. Now, of course, we get to the volume in question. It is plenty good, and worth multiple readings over years, as is "A Zoo In My Luggage" and several other books detailing trips to collect animals. A word of warning, don't go nuts and buy all the zillion Durrell titles. Some of them are out of print for a reason and were most likely dashed off by Durrell to finance a collecting trip or two. If you read a sampling of Amazon.com reviews you will sniff these out and avoid wasting you hard earned lucre. And please, get "My Familiy and Other Animals and "Birds, Beasts and Relatives" right now, if you dont have them already.

7 of 7 people found the following review helpful.
Still enjoyable nearly forty years on
By Peter Durward Harris
This book is about a business that, for the most part, no longer exists - the business of collecting animals for display in zoos. Wildlife conservation has changed a lot since then so the kind of expedition that Gerald Durrell and his companion, John, undertook in 1953, described in this book, just could not happen now.
Gerald describes how he and John spent several months in Cameroon collecting a variety of animals, birds and reptiles and some of the adventures they had, including the triumphs and disappointments. He acknowledges right at the beginning that the expedition may seem more exciting than it really was, because all the boring aspects have been omitted. Even so, there were enough exciting moments to fill this book.
He describes some of the local people, who he mostly got on well with - but of course he did have some problems and we are told about these. He describes some of the creatures he collected, and the disappointment when some died or escaped.
My favorite (both at school and now) was a chimpanzee that had already been domesticated. Gerald was asked to look after him before he could be shipped to London. This was no ordinary chimpanzee, as he not only enjoyed smoking cigarettes but was able to light his own using either matches or lighter, and also displayed other characteristics more normally associated with people than with chimpanzees. Always remember that this was 1953.

This is a highly entertaining book, which I first read at school, where it was compulsory reading - and it was the only such book that I enjoyed. I still enjoyed it when I read it again recently, after discovering (to my surprise) that it is still available in the UK.

4 of 4 people found the following review helpful.
A Lovable and discriptive novel.
By A Customer
Durrell's descriptions are so enthralling, I actually read the entire book in one night. If you like books about animals, such as the All Creatures series, you must read this book. I first read this book when I was 10, and this was probably the first adult book I read. The way Durrell describes the catching of animals and the way he captures each character's essence is incredible. You will fall in love with this book. I strongly recommend it.

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[V730.Ebook] Get Free Ebook Nothing But the Truth: An Anthology of Native American Literature, by John L. Purdy, James Ruppert

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Nothing But the Truth: An Anthology of Native American Literature, by John L. Purdy, James Ruppert

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Nothing But the Truth: An Anthology of Native American Literature, by John L. Purdy, James Ruppert

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Nothing But the Truth: An Anthology of Native American Literature, by John L. Purdy, James Ruppert

This anthology includes some of the best works of Native American Literature — with a good representation of major authors, geographic dispersion, gender balance, and a variety of genres. Its illustrative and popular material promote a deeper appreciation of different themes and approaches. Complete works that have become classics in the field, combined with ones from the modern era, make this collection rich in historical and theoretical context. Selections of non-fiction, fiction, poetry, and drama, include works by Paula Gunn Allen, Elizabeth Cook-Lynn, Carter Revard, Leslie Marmon Silko, Sherman Alexie, Kimberly Blaeser, Peter Blue Cloud, Louise Erdrich, Scott N. Momaday, Simon Ortiz, and many more. An effective introduction to Native American Literature for readers interested in this area of writing.

  • Sales Rank: #340960 in Books
  • Published on: 2000-08-26
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.40" w x 6.00" l, 1.94 pounds
  • Binding: Paperback
  • 640 pages

From the Inside Flap
PREFACE

As the old saying goes, necessity is the mother of invention, and necessity certainly drove the creation of this anthology. As any educator will tell you, one of the difficult duties we face year after year, semester after semester, is the selection of texts for classes. Even in the case of literature courses that cover the writings of "dead white guys" who no longer produce literary works, there is still a continuous stream of secondary books about them and myriad analyses of their writings. In the area of writings by American Indians, this task is even more difficult because of the growing body of secondary sources, of course, but also because of the tremendous increase in the numbers of pieces of literature produced by writers of Native American descent. It is a perplexing quandary when one tries to choose from such a wonderfully rich selection.

Such difficulties also arise when one tries to compile an anthology, and there are some very good examples in print today. Some try to provide the widest coverage: an expansive array of writings from as many nations and tribal groups as possible. Some try to provide an all-inclusive sense of history: coverage from the late eighteenth century to the present. Others center on specific thematic concerns—identity issues, political policies—and thus narrow their scope. Some simply opt for the editors' favorites.

This present endeavor, however, cuts across the various attempts of the past, and it has one simple, perhaps obvious, guiding principle. It was our intention to compile the pieces of literature that our colleagues who teach Native American literature use time and time again. To accomplish this task, we surveyed our colleagues around the globe and asked them to give us a list of their "core" texts. The questionnaires—sent by post and also posted on the Internet—covered all genres and eras. Our only stipulation was that we were looking for complete works of literary art and not "excerpts," that is, sections of longer works, like novels, which rarely stand as discrete units of art. (There are short stories included here that became novel chapters later.) The response was wonderful, and although there were some obviously central authors listed on significant numbers of questionnaires, there was also a great diversity in the recommendations they made.

This may seem to be a very self-serving effort: to create the anthology we always wanted to have. To a degree, this is true, but primarily this book is an attempt to construct an effective introductory collection to written Native literature. In our questionnaire, we asked for lists of pieces used most often because "they work." We did not get into a lengthy attempt to define this vague qualifier, believing that every educator knows when something has a profound, productive effect on a class, an audience. We simply wanted to bring together literary pieces that have this effect, because we also realize that the students who read these pieces of literature in the myriad courses our colleagues teach at a wide array of public and private institutions around the globe constitute the reading public itself; they come from every element of society, cutting across every group distinction employed in the world today: class, gender, race, and political ideology, to name just a few. Nonetheless, the literature speaks personally and compellingly to them, and that is a remarkable achievement.

We truly hope it speaks to you, the current reader, as well. Acknowledgments

We want to thank all the people who have made this anthology possible, including all our colleagues around the world who took the time to answer our survey and thus provided the list of works they find most useful in their courses. We would also like to thank Steven Beech, who tracked these works down, and our editor, Carrie Brandon, for helping us realize our goal. Finally, however, our greatest appreciation goes to the Native American writers and storytellers who have made such remarkable contributions to the literary arts and enriched our society with their myriad voices and their illuminating insights.

We would also like to thank the reviewers of our manuscript for their input on this anthology: Jacquelyn Kilpatrick, Ph.D., Governors State University; Gloria Lynn Larrieu, Southwestern Indian Polytechnic Institute; Louis Roma-Deeley, Paradise Valley Community College; Patrick Clark Smith, University of New Mexico; and Norma Clark Wilson, University of South Dakota.

— John Purdy,
James Ruppert

From the Back Cover

AN ANTHOLOGY THAT features both classic and contemporary Native American Literatures, Nothing But The Truth is a healthy collection of the best works of Native American Literature. The pieces of literature selected for this anthology are core texts used in classrooms and are conductive to discussion in the classroom. Fiction, Nonfiction, Poetry, and Drama are included as well as some theoretical discussion and introductions by various scholars and teachers of the literature.

Excerpt. � Reprinted by permission. All rights reserved.
PREFACE

As the old saying goes, necessity is the mother of invention, and necessity certainly drove the creation of this anthology. As any educator will tell you, one of the difficult duties we face year after year, semester after semester, is the selection of texts for classes. Even in the case of literature courses that cover the writings of "dead white guys" who no longer produce literary works, there is still a continuous stream of secondary books about them and myriad analyses of their writings. In the area of writings by American Indians, this task is even more difficult because of the growing body of secondary sources, of course, but also because of the tremendous increase in the numbers of pieces of literature produced by writers of Native American descent. It is a perplexing quandary when one tries to choose from such a wonderfully rich selection.

Such difficulties also arise when one tries to compile an anthology, and there are some very good examples in print today. Some try to provide the widest coverage: an expansive array of writings from as many nations and tribal groups as possible. Some try to provide an all-inclusive sense of history: coverage from the late eighteenth century to the present. Others center on specific thematic concerns—identity issues, political policies—and thus narrow their scope. Some simply opt for the editors' favorites.

This present endeavor, however, cuts across the various attempts of the past, and it has one simple, perhaps obvious, guiding principle. It was our intention to compile the pieces of literature that our colleagues who teach Native American literature use time and time again. To accomplish this task, we surveyed our colleagues around the globe and asked them to give us a list of their "core" texts. The questionnaires—sent by post and also posted on the Internet—covered all genres and eras. Our only stipulation was that we were looking for complete works of literary art and not "excerpts," that is, sections of longer works, like novels, which rarely stand as discrete units of art. (There are short stories included here that became novel chapters later.) The response was wonderful, and although there were some obviously central authors listed on significant numbers of questionnaires, there was also a great diversity in the recommendations they made.

This may seem to be a very self-serving effort: to create the anthology we always wanted to have. To a degree, this is true, but primarily this book is an attempt to construct an effective introductory collection to written Native literature. In our questionnaire, we asked for lists of pieces used most often because "they work." We did not get into a lengthy attempt to define this vague qualifier, believing that every educator knows when something has a profound, productive effect on a class, an audience. We simply wanted to bring together literary pieces that have this effect, because we also realize that the students who read these pieces of literature in the myriad courses our colleagues teach at a wide array of public and private institutions around the globe constitute the reading public itself; they come from every element of society, cutting across every group distinction employed in the world today: class, gender, race, and political ideology, to name just a few. Nonetheless, the literature speaks personally and compellingly to them, and that is a remarkable achievement.

We truly hope it speaks to you, the current reader, as well.

Acknowledgments

We want to thank all the people who have made this anthology possible, including all our colleagues around the world who took the time to answer our survey and thus provided the list of works they find most useful in their courses. We would also like to thank Steven Beech, who tracked these works down, and our editor, Carrie Brandon, for helping us realize our goal. Finally, however, our greatest appreciation goes to the Native American writers and storytellers who have made such remarkable contributions to the literary arts and enriched our society with their myriad voices and their illuminating insights.

We would also like to thank the reviewers of our manuscript for their input on this anthology: Jacquelyn Kilpatrick, Ph.D., Governors State University; Gloria Lynn Larrieu, Southwestern Indian Polytechnic Institute; Louis Roma-Deeley, Paradise Valley Community College; Patrick Clark Smith, University of New Mexico; and Norma Clark Wilson, University of South Dakota.

— John Purdy,
James Ruppert

Most helpful customer reviews

0 of 2 people found the following review helpful.
Not what I was expecting...
By Amazon Customer
The book just arrived but when I took it out of the package and opened it, some of the pages that have been ripped off were hanging. There are also some pages that have been written on. This, I was unaware of since it did not say in the description. Overall, I am dissatisfied with the quality of this book.

0 of 0 people found the following review helpful.
Four Stars
By Debra Gordon
It came in time for class, and it meets all my requirements. But mostly, they have collected some outstanding works by amazing authors. That they are Native American adds poignancy, due to the subject matter that is repeated as a theme, throughout this anthology. I love this book, it is one of my favorites now, and I'll keep it as long as I can, as the material is so great.

0 of 0 people found the following review helpful.
truths
By Geno & Allison
Required book for class but definitely a keeper nonetheless. Won't be selling this one back.!

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Jumat, 28 Mei 2010

[C408.Ebook] Download Ebook Designing Groupwork: Strategies for the Heterogeneous Classroom, by Elizabeth G. Cohen

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Designing Groupwork: Strategies for the Heterogeneous Classroom, by Elizabeth G. Cohen

Designing Groupwork: Strategies for the Heterogeneous Classroom, by Elizabeth G. Cohen



Designing Groupwork: Strategies for the Heterogeneous Classroom, by Elizabeth G. Cohen

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Designing Groupwork: Strategies for the Heterogeneous Classroom, by Elizabeth G. Cohen

This edition features new material on such topics as skill-building for more advanced students and how to use multiple-ability treatments. The book aims to combine easy-to-follow theory with examples and teaching strategies that are adaptable to any situation.

  • Sales Rank: #554910 in Books
  • Published on: 1994
  • Original language: English
  • Number of items: 1
  • Dimensions: .60" h x 6.17" w x 9.00" l, 6700.00 pounds
  • Binding: Paperback
  • 203 pages

Most helpful customer reviews

18 of 20 people found the following review helpful.
Groupwork that works!
By Chalyn Newman
This book is a great tool for teachers at any grade level. Designing Groupwork gets at the heart of the challenges facing teachers who use groupwork in the classroom. If you are looking for groupwork strategies, perspective on group dynamics, and creative team building examples, this is the book for you! I have used this book in my own teaching practice and have noticed huge improvement in groupwork experiences. In addition, I have gained an awareness of the groupwork process and am able to better serve the needs of my students. Every teacher should own a copy of this book!

11 of 12 people found the following review helpful.
Defines True Groupwork
By Rebecca
Cohen writes a very informative book on defining and implementing true groupwork, as opposed to the types of group-work which teacher often use in the classroom. The basis behind her strategies are explained, and there are examples both in-text and in the appendix. The groupwork theories described in this book can be used for young children up through college students or adults. This book is simple to read and clearly explained, while at the same time being very helpful and informative.

0 of 0 people found the following review helpful.
I love this book
By Amazon Customer
I love this book. Really. It is clear and direct and is a great text for folks who are trying to get colleagues to do more group work.

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[U556.Ebook] Download Ebook The Joy of Uncircumcising!: Exploring Circumcision : History, Myths, Psychology, Restoration, Sexual Pleasure, and Human Rights, by Jim Bi

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The Joy of Uncircumcising!: Exploring Circumcision : History, Myths, Psychology, Restoration, Sexual Pleasure, and Human Rights, by Jim Bi

This book provides a comprehensive look at the practice and history of both circumcision and foreskin restoration. It covers numerous topics including the anatomy and function of the foreskin, the history of circumcision (both religious and secular), the effects of circumcision both (physical and psychological), and finally foreskin restoration (including various methods men can use to restore their foreskin).

  • Sales Rank: #204352 in Books
  • Brand: Brand: Hourglass Book Pub
  • Published on: 1994-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 8.50" w x .75" l,
  • Binding: Paperback
  • 242 pages
Features
  • Used Book in Good Condition

Review
"Bigelow's book is...an important statement on a theme about which little is usually said, and on which most of us are ignorant."
- British Journal of Urology

About the Author
Jim Bigelow, Ph.D., has led a diverse professional life as a professor, therapist, clergyman and author. He earned his doctorate in psychology at Claremont Graduate School and served as a Professor of Psychology at Whittier College. He has also lectured abroad extensively and pastored several Evangelical churches. Jim founded UNCIRC and has served on the board of directors for NORM. He is the father of two grown children and lives with his wife in California.

Most helpful customer reviews

87 of 88 people found the following review helpful.
The scandal of circumcision & how to regrow the foreskin.
By david@egale.ca
The shocking story of male circumcision, a must-read for every man, expectant couple, pregnant woman, and anyone contemplating circumcising their boy, either as an infant or at an older age. Discusses alternatives to full circumcision for medical conditions (phimosis, tight foreskin) and details the loss of sensation and other important functions of the foreskin. Opened my eyes to the reality of regrowing my own prepuce. I have regrown about 1/2 inch and regained some lost sensation using the do-it-yourself techniques in this excellent book.

54 of 54 people found the following review helpful.
Excellent and thought-provoking!
By A Customer
The authors present the unvarnished truth about one of America's ugliest human rights abuses, infant circumcision. They also describe how circumcised men can to some extent recover what was taken from them. Particularly helpful: This thoroughly researched book includes well-written explanations, and an excellent indexes of resources and references. The author's description of the historical development of the practice of circumcision is both enlightening and shocking.

76 of 81 people found the following review helpful.
This is a Great Book!
By David Wilson
Dr. Bigelow is able to succinctly reveal why circumcision is a hoax perpetuated on the American people. He also tells why the foreskin is an important, functional part of male anatomy. What sets this book apart, however, are the personal comments throughout it that really show how men in this country have been victimized by the medical profession and society. It's time to save our sons from the same abuse that the majority of American Men have endured. Our sons deserve to grow up intact just as much as our daughters do. There is no medical reason for circumcision. America is the only industrialized nation that still routinely circumcises, yet just about every aliment attributed to having a foreskin is lower or no higher in all of the industrialized countries that don't circumcise. For example, America has one of the highest HIV rates in the industrialized world. Circumcision has done nothing to stem the tide of HIV infection in this country. In fact, some studies show that circumcised men are at greater risk of contracting HIV. And, since the circumcised penis becomes keratinized and rough, it's probable that they are at greater risk for infecting others.
Dr. Bigelow's book is wonderful both in its factual documentation of circumcision and in its personalization of the horror of circumcision. It's a must read for every man that has been circumcised, to realize what he's lost, and for every man that has not been circumcised, to realize how lucky he is. It is also a must read for women. It will help them to understand the hurt that most men in this country have suffered at the hands of the medical establishment and society. It will also help them to realize how lucky they are if they are fortunate enough to have an uncircumcised lover. Just a thought; the crime rate in this country increased almost lock-step with the circumcision rate. Now the circumcision rate is going down and so is the crime rate. I wonder if it's just a coincidence, or if crime is some how related to the violence most males experience just after birth.

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The Joy of Uncircumcising!: Exploring Circumcision : History, Myths, Psychology, Restoration, Sexual Pleasure, and Human Rights, by Jim Bi PDF
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Jumat, 14 Mei 2010

[S519.Ebook] Fee Download El origen emocional de las enfermedades (Spanish Edition), by Christian Fleche

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El origen emocional de las enfermedades (Spanish Edition), by Christian Fleche

Nuestro cuerpo es poseedor de todas las claves de la enfermedad: su origen, su evolucion, su tratamiento y su prevencion. Nuestro cuerpo fisico, psiquico, emocional y energetico contiene todas las preguntas y todas las respuestas. Christian Fleche expone que los sintomas de una enfermedad son la reaccion de adaptacion a un acontecimiento no integral que se enquista con el tiempo, y que cada sintoma indica de manera precisa el origen del problema. Este manual practico ofrece el significado biologico de todas las enfermedades con numerosos ejemplos y constituye una guia imprescindible para decodificar cada sintoma y descubrir cual es su sentido. / Each symptom of an illness indicates its emotional origin. Thus, the physical symptom is a valuable ally that provides the key to the cure of the physical disease as well as resolution of the emotional imbalance that created it. This book is a guide to understanding and decoding the causes of illness

  • Sales Rank: #594222 in Books
  • Published on: 2015-04-30
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.20" l, .0 pounds
  • Binding: Paperback
  • 312 pages

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0 of 0 people found the following review helpful.
Five Stars
By Mar�a Elena Z��iga
Excelenteeee!!!

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Kamis, 06 Mei 2010

[D461.Ebook] Free Ebook What Is Paleolithic Art?: Cave Paintings and the Dawn of Human Creativity, by Jean Clottes

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What Is Paleolithic Art?: Cave Paintings and the Dawn of Human Creativity, by Jean Clottes

Was it a trick of the light that drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the heads of lions, likenesses of bison, horses, and aurochs in the reliefs of the walls, as they flickered by firelight? Or was it something deeper—a creative impulse, a spiritual dawn, a shamanistic conception of the world efflorescing in the dark, dank spaces beneath the surface of the earth where the spirits were literally at hand?

In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to this “why” of Paleolithic art. While other books focus on particular sites and surveys, Clottes’s work is a contemplative journey across the world, a personal reflection on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal, by firelight, how we think, why we create, why we believe, and who we are.

  • Sales Rank: #77736 in Books
  • Published on: 2016-04-19
  • Released on: 2016-04-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 208 pages

Review
“Subtle, imaginative, and brilliantly accomplished, the images of animals and humans found in caves and dated from the end of the last Ice Age, between 40,000 and 10,000 years ago, continue to astonish us. The emotions and motives that inspired them beg to be understood. In What is Paleolithic Art?, Clottes, the renowned cave- and rock-art specialist, suggests some answers. . . . This is a thought-provoking book about complex societies that endeavored to understand the world in their own various ways. For anyone interested in Ice Age art, Clottes’s enthusiasm cannot fail to energize, inspire, and provide caution to their own investigations.” (Jill Cook, British Museum Nature)

“What gives this art its power, Clottes says, is that it makes us dream.” (New York Times)

“It is shamanism that, according to Clottes, is the key to understanding the Paleolithic practices of what he calls Homo spiritualis, who chose to descend into the underworld, seek a trance state, and enter into contact with spirits.” (Le Monde, on the French edition)

“Clottes has been looking at and thinking about the cave paintings of ice age Europe for almost half a century. I can’t imagine anyone has a greater knowledge about the paintings, carvings, sculptures, and their associated archaeology than this great prehistorian. It’s not just greater knowledge, but an emotional response: I’ve seen tears come into his eyes as he was describing a painting that he must have seen and talked about many times before, and that still tugged at his heart as much as his brain. Clottes’s enormous depth of learning and affection emanate from every page of this book.” (Steven Mithen, University of Reading New Scientist)

“Clottes explores why prehistoric people took to cave painting and speculates on what the art means.” (Jeremy Mikula Chicago Tribune, Printers Row)

“The deep understanding, love, and empathy that Clottes has for the art, imagination, and spiritual world of our Ice Age ancestors is so great that this book is a must-read.” (Lawrence Guy Strauss, University of New Mexico Journal of Anthropological Research, on the French edition)

“Clottes is the leading Paleolithic archaeologist and perhaps the most famous archaeologist in the world. This alone makes What Is Paleolithic Art? noteworthy. But the topic is also one that generates interest beyond the archaeological profession, especially inasmuch as his expansive discussion emphasizes shamanism as the likely origin for this art, and partly bases this conclusion on comparisons and analogies with ethnographic cases. . . . Very readable and appealing.” (David S. Whitley, author of "Cave Paintings and the Human Spirit: The Origin of Creativity and Belief")

“Clottes has probably seen more rock art around the world than anyone else, and this gives him an unusually broad perspective on the questions raised by the prehistoric cave art of his native France. Not everyone agrees with the shamanistic interpretations toward which he leans, but this very accessible discussion of both French cave art specifically and of rock art in general is wide-ranging, and his is certainly a point of view which anyone interested in Paleolithic art should know about.” (Ian Tattersall, author of "The Strange Case of the Rickety Cossack and Other Cautionary Tales from Human Evolution")

About the Author
Jean Clottes is a prominent French archaeologist and former general inspector for archaeology and scientific advisor for prehistoric art at the French Ministry of Culture. He is the author of Cave Art, among other books. Oliver Y. Martin is a lecturer in the Department of Environmental Systems Science at ETH Zurich, Switzerland. Robert D. Martin is curator emeritus in the Integrative Research Center at the Field Museum, Chicago.

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3 of 5 people found the following review helpful.
Five Stars
By Amazon Customer
This is a finely written and wonderfully translated book that should appeal especially to anyone with intermediate anthropological knowledge.

1 of 3 people found the following review helpful.
Brilliantly written.
By Peter N. James
This book is one of those gems of a book that you hope, alas, every book you buy will be.
It is truly inspiring and I unreservedly recommend it.
But rather than write a review, a far better one than I could ever write can be found by searching “New Scientist What is Palaeolithic Art.”

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Kanye West's My Beautiful Dark Twisted Fantasy (33 1/3)

  • Published on: 1600
  • Binding: Paperback

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Rabu, 05 Mei 2010

[P532.Ebook] Download ASL Literature Series : Bird of a Different Feather & For a Decent Living, Student Workbook and Videotext

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ASL Literature Series : Bird of a Different Feather & For a Decent Living, Student Workbook and Videotext

  • Sales Rank: #4611985 in Books
  • Published on: 1656
  • Binding: Paperback

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[P326.Ebook] PDF Download The Early Stuart Masque: Dance, Costume, and Music

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The Early Stuart Masque: Dance, Costume, and Music

  • Published on: 1600
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Minggu, 02 Mei 2010

[B602.Ebook] Free Ebook Making an Impression: Designing & Creating Artful Stamps, by Geninne Zlatkis

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Making an Impression: Designing & Creating Artful Stamps, by Geninne Zlatkis

Popular illustrator and stamper Geninne Zlatkis has a passion for nature and color that distinguishes her work. These 20 beautiful projects--including cards, an embellished journal and tote, and decorative wall pieces--provide the keys to Geninne's creative process and image-making process. In addition to technique-specific primers with step-by-step photos of the essentials, Making an Impression includes 50 motifs showcasing Geninne's signature designs that crafters can copy and use for image transfers, stamp designs, and collages.

  • Sales Rank: #169366 in Books
  • Published on: 2012-10-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 8.75" w x .75" l, 1.25 pounds
  • Binding: Paperback
  • 136 pages

Review
"Zlatkis's bold, folk art-inspired stamps are lovely to look at, and her enthusiasm for her craft is apparent. Crafters working with both paper and fabric will enjoy this collection." --Library Journal�"A gorgeous book. From the first page to the last, Zlatkis teaches you that with just one single idea, you can make art that sings, not shouts; art that skips, not sprints . . . From tags, stationery, wrapping paper to a garden journal and more, this book teaches you how easy and empowering the art of carving rubber can be." --Crescendoh�"(Geninne's) passion for nature and color seeps through every page, instantly grabbing the reader's attention, and her straightforward writing style encourages even the non-crafter to pick up a carving block and simple cutting tools. Talk about putting a personal stamp on your art! In just a few steps, you'll be putting YOUR stamp on everything from paper to fabric to home d�cor designs." --Crafts n' Things

About the Author
Geninne Zlatkis is an illustrator (etsy.com/shop/Geninne) and blogger (geninne.com). She uses a wide variety of techniques (painting, collage, writing, stamping, and more) in her whimsical work. Her illustrated prints and licensed designs have been available through Urban Outfitters, and her designs are featured on an organic cotton fabric line with Cloud 9 Fabrics and a pocket planner from Galison. Geninne's hand-carved stamped-cards project was included in Craft Hope (Lark Fall 2010). She lives outside of Mexico City in Querataro, Mexico.

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16 of 16 people found the following review helpful.
Beautiful and Practical - A Terrific Book You'll Love
By Abigail
Making an Impression is a beautiful book and is totally useful as well. The photos are amazing, giving you a glimpse into Geninne's gorgeous home and studio. The text is very easy to read, not overly technical, but still highly detailed. The book opens flat due to the binding which makes it easier to put on your worktable while you are carving. After a techniques section there are lots of projects showing you ways to use the stamps you carve. The back of the book has templates to trace if you'd like to carve stamps using Geninne's motifs, or you can carve stamps of your own design.

I carved my first stamp last night, using the instructions in this book, and now I'm totally addicted. This is a new craft for me and I'm in love thanks to Geninne's beautiful book!

24 of 26 people found the following review helpful.
Best Stamp & Design Book!
By Roberta L. Payne
First off...if you are the least bit interested in making your own stamps, order this book right now! It's the best book I've seen written on stamp making. I've followed Geninne's blog for sometime now and always thought her artwork to be wonderful. I pre-ordered the book as soon as I saw it was available and just received it yesterday. I read the entire book!!! Yes, read each page!!! Geninne's book has so many tips, motifs and templates that you won't know where to start first! But she'll help you with that as well! Just start at the beginning of the book and follow along! That's exactly what I plan on doing!!

13 of 13 people found the following review helpful.
inspiration galore!
By Amazon Customer
I just received the book, and am already thrilled with it. I am totally familiar with Gennine's artwork, but her stamping art is new to me.
For anyone who has been thinking about trying stamp carving ,go for it! I have carved some and enjoyed it in the past but now I am certainly going to do more. A really beautiful book, with tons of unique ideas. find her blog on line , and discover a delightful artist who is willing to share her talent and techniques. P.S. the carving process is not hard to do.

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