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Perhaps because 19th-century German writer Theodor Storm wrote mostly Novellen -- tightly sturctured long stories composed in lyrical prose -- little of his work is available in English. Hans and Heinz Kirch consists of three of these Novellen, two appearing for the first time in English translation...The title story tells of a battle between father and son on the Baltic coast of Germany. ""Immensee"" and ""Journey to Hallig"" are a folk-tale-influenced love story and a wanderer's tale, respectively."" -- Publishers Weekly.
- Sales Rank: #3963397 in Books
- Brand: Brand: Angel Books
- Published on: 2000-01-24
- Original language: German
- Number of items: 1
- Dimensions: 7.76" h x .59" w x 5.11" l, .40 pounds
- Binding: Paperback
- 192 pages
- Great product!
Review
"Perhaps because 19th-century German writer Theodor Storm wrote mostly Novellen -- tightly structured long stories composed in lyrical prose -- little of his work is available in English. Hans and Heinz Kirch consists of three of these Novellen, two appearing for the first time in English translation...The title story tells of a battle between father and son on the Baltic coast of Germany. "Immensee" and "Journey to Hallig" are a folk-tale-influenced love story and a wanderer's tale, respectively." --Publishers Weekly
Language Notes
Text: English (translation)
Original Language: German
Most helpful customer reviews
0 of 0 people found the following review helpful.
Stories of the fault line where the continent of youthful imagination meets the adult continent of social class aspiration
By MidwesternGothic
Hans and Heinz Kirch with Immensee and Journey to a Hallig by Theodor Storm, translated by Denis Jackson and Anja Nauck, Introduction by Denis Jackson, published in 1999 by Angel Classics.
Artfully crafted poignant stories of ‘poetic realism’ colored by Storm’s interest in fairytales, folk songs, and folk stories and centered, sometimes via reminiscence, around the fault line where the continent of childhood and youth with its blended ecology of landscape and romantic imagination butts up against the adult continent with its very different blended ecology of landscape and worldly ambition, finance, and social class. I liked all three of these well-crafted novellas a great deal, though felt most moved by Immensee. I also read another translation of Immensee by James Wright included in The Rider on the White Horse (New York Review Books Classics). The Wright translation is more easily accessible for the modern reader whereas the Jackson and Nauck translation is more literary. Reading the Wright translation did help me to catch a few minor details or nuances I missed when I first read the Jackson and Nauck translation; however, I preferred the Jackson and Nauck translation for its more artful and antique style which I found much more fitting to both the nature of the story and the manner of the storytelling. Additionally, the Jackson and Nauck translation renders the short poems within the novella in rhyming verse form and they do a very nice job of doing so, whereas the Wright translation has them in prose where they are emptied of their lyrical quality and poetic effect. But one need not chose between these two translations. One can get them both with good justification, for Immensee is the only overlap between these two Theodor Storm collections.
The twenty-page Introduction by Denis Jackson is excellent. I took particular delight in the first two-and-a-half pages of the Introduction because of the interesting, useful, and concise conceptual and literary discussions therein (e.g., discussion of ‘poetic realism,’ the discussion of the descriptive distinction between Storm's ‘watercolor’ novellas and his ‘oil’ novellas). The rest of the Introduction provides an interesting account of Storm and his times as well as some discussion of the three stories included in this volume. The volume also contains thirty pages of notes that provide informative biographical and historical details. Printed on acid-free paper, the book is attractive and well-made. Highly recommended.
2 of 2 people found the following review helpful.
Simply beautiful stories
By Beppo
I read Immensee when I was 8 years old. It was a heavily abridged version and worse still terribly translated so much so that it lost original beauty.Then, I read it again in German for the first time in German Classes in high school, as many German language student have done. Prose style is simple but breathtakingly beautiful. In my opinion, this addition perfectly conveys and preserve the original feeling that I had I read it in German . It is so evocative that I intro and end of the story still reside in my mind. I can recite it word by word in German. Making a modern man can feel a momentary nostalgia explains well what kind of emotional power the story possesses. It is no wonder that generations of German writers have mentioned about this story.
In addition to Immensee, there are two more stories that are quintessential Storm. Strong regional color, Nostalgia, and simple but beautiful verses and proses in each story.
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